
Creme Linen
Solid brass, satin creme over linen texture
The most restrained of the three. A warm, chalky creme that reads quietly against a dress shirt or a field jacket alike.
- Diameter
- 28.5mm
- Feet
- Drilled to order
- Finish
- Satin creme
Most of the watch components I've built to date have been entirely sourced. These linen dials will be the first components I actually make and hand-finish myself.
They start with raw material, specifically blank brass, and end as a beautiful, lacquered linen dial. Each one unique, a fingerprint of its own. Modern watchmaking has gotten very good at perfect: enamel, lacquer, sunray brushing. I'm focusing first on the different register, a dial that still carries the grain of the hands that made it. My hands.
Progress
The first pass at working a linen grain into a brass blank by hand.

The first dial from that first experiment. From a distance, the linen texture is still faint — barely visible.

The same dial, magnified. Up close you can see more of the woven grain I'm starting to form by hand.

A pair of dials from that first experiment, set out to cure.
A slightly coarser brushing pass, sealed under a thinner lacquer, aiming for more texture than the first experiment. Closer to what I'm after, but not quite there yet.

The full dial from the second experiment, with a coarser linen grain than the first.

The same dial, magnified. The weave is deeper, though still not quite the result I want.
Mixed results, and a turning point. One dial held up well under a thin, clear lacquer. A second attempt at a cream-tinted lacquer bubbled during cure and barely shifted the color I was after — enough to send me back to reconsider the lacquering step, and to start weighing plating in addition to the hand-applied texture.

Two raw blank dials, before any hand-finishing.

The two results side by side: linen texture under a thin clear lacquer on the left, a cream-tinted lacquer attempt on the right. The cream lacquer bubbled during cure and didn't shift the color as much as I'd hoped.

Close up on the clear-lacquer dial. Texture holds up well, no bubbling.

Close up on the cream-lacquer dial, showing the bubbling that made this attempt a miss.
The finishes
Renders of the finish I'm aiming for on each colorway — the goal, not yet the hand-worked result. The progress above shows where the real dials stand today.

Solid brass, satin creme over linen texture
The most restrained of the three. A warm, chalky creme that reads quietly against a dress shirt or a field jacket alike.

Brass with a pale champagne wash
The softest of the three. A pale wash over the texture keeps it quiet on the wrist while the weave still catches raking light.

Deep charcoal over a heavy linen texture
The coarsest weave of the set. It holds a near-black that never goes flat, and gives applied indices something to sit against.